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A Little Book on Form An Acute And Deeply Insightful Book Of Essays Exploring Poetic Form And The Role Of Instinct And Imagination Within Form From Former Poet Laureate, Pulitzer Prize And National Book Award Winning Author Robert Hass.Robert Hass Former Poet Laureate, Winner Of The National Book Award, And Recipient Of The Pulitzer Prize Illuminates The Formal Impulses That Underlie Great Poetry In This Sophisticated, Graceful, And Accessible Volume Of Essays Drawn From A Series Of Lectures He Delivered At The Renowned Iowa Writers Workshop.A Little Book On Form Brilliantly Synthesizes Hass S Formidable Gifts As Both A Poet And A Critic And Reflects His Profound Education In The Art Of Poetry Starting With The Exploration Of A Single Line As The Basic Gesture Of A Poem, And Moving Into An Examination Of The Essential Expressive Gestures That Exist Inside Forms, Hass Goes Beyond Approaching Form As A Set Of Traditional Rules That Precede Composition, And Instead Offers Penetrating Insight Into The True Openness And Instinctiveness Of Formal Creation.A Little Book On Form Is A Rousing Reexamination Of Our Longest Lasting Mode Of Literature From One Of Our Greatest Living Poets.


About the Author: Robert Hass

Robert Hass was born in San Francisco and lives in Berkeley, California, where he teaches at the University of California He served as Poet Laureate of the United States from 1995 to 1997 A MacArthur Fellow and a two time winner of the National Book Critics Circle Award, he has published poems, literary essays, and translations He is married to the poet Brenda Hillman.



10 thoughts on “A Little Book on Form

  1. says:

    Do I put this in essays Do I put this in poetry Both And certainly in Finished in 2017, as it will be the last.This book was a bit of a struggle It s big, for one thing Damn near 500 pages And it s not the same as essays on poetry I ve read by, say, Tony Hoagland or Jane Hirshfield, both accomplished in the field.No, as the introduction warns us, this


  2. says:

    Having read Schmidt s book that covers the work of 50 modern poets my thoughts posted here , I now wanted to read a book to help me understand the art of poetry, so I chose this.This book is divided into two parts, the first is like an intro of the mechanics of poetry Hass, in using examples of poetry and extracts of one to four lines, gets you comfortable abou


  3. says:

    I liked this book, especially the concept that form in poetry is about time, not space A four line stanza with breaks makes an interesting pattern on a page but the form is in the short pause after each line, and the longer pauses between stanzas It reads easily, if you like poetry if you don t you probably won t read it unless someone makes you The book is based on not


  4. says:

    The chapter on satire taught me that some of my poems are satires, particularly those written in heroic couplets Apparently, the use of forms is common in satire This was only one of many revelations found within A Little Book on Form, which is not so little at over 400 pages, yet still not exhaustive on the subject The chapter on Reading the Sonnet goes on for 50 pages, packed


  5. says:

    Not quite a little book, and not quite the font of revelation I d hoped it would be, either Hass is always interesting, readable and entertaining, and his knowledge of poetry is encyclopedic However, if you re looking for a book that will give you insight into why certain poets break their lines or stanzas the way they do, you re not really going to find that here, because each p...


  6. says:

    I need a physical version of this, so I can just page through It s a good book It does a great job of taking you through examples of the form, tracing lineage, and showing the vastly different things poets can do Admittedly I skipped ov...


  7. says:

    This book was adapted from a class that Hass taught As such, it felt like a bit of a slog at times Even so, I was able to read a lot of poetry which was incredible through this large and sometimes boring book.


  8. says:

    Consider the opening quatrain of Emily Dickinson s I cannot live with You I cannot live with You It would be Life And Life is over there Behind the ShelfIts lines alternate between iambic trimeter and iambic bimeter, a shortening of Dickinson s usual alternating iambic tetra and trimeters hymn form There are no end rhymes unless you consider Life and Shelf to be off rhymes Its subject Life is abstract, and there i


  9. says:

    I agree wholeheartedly with those reviewers, critics, and Goodreads subscribers who have lavished their praise upon this thrilling book Perhaps every compliment within possibility has already been bestowed I will offer only this idiosyncratic observation the book s subtitle irks me I want to substitute the phrase imagining of for imagination of, because it is we writers, we poets, we human beings who activate the mental im


  10. says:

    I only skimmed the book over the course a few hours, so this is less a review than notes to myself for when I read it again But read again I most certainly shall, because there is a lot to learn here I originally saw it on a bookstore shelf and picked it up because, while I read and enjoy poetry, I ve never actually studied it, so I thought this might help make up for my lack of college lit classes I was not wrong.The book sprang f


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